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Welcome to theoscarsite's yearly Oscars® pages

This page covers the Awards for 1956. If you wish, read my disclaimer.

Click here for information on the Awards Ceremony for this year's nominees.

 Use this link to go to my listing of every film and every person ever nominated for an Award! 

 Use this link to see every film nominated for an Award this year and how it ranks in nominations and Awards! 

"I've gone from saint to whore and bact to saint again all in one lifetime." -- Ingrid Bergman

Best Picture
 AROUND THE WORLD IN EIGHTY DAYS (Won 5 Awards) - Todd, UA. Produced by Michael Todd
 FRIENDLY PERSUASION - Allied Artists. Produced by William Wyler
 GIANT - Warner Bros. Produced by George Stevens and Henry Ginsberg
 THE KING AND I (Won 5 Awards) - 20th Century-Fox. Produced by Charles Brackett
 THE TEN COMMANDMENTS - De Mille, Paramount. Produced by Cecil B. De Mille

Actor
 Yul Brynner in THE KING AND I
 James Dean in GIANT
 Kirk Douglas in LUST FOR LIFE
 Rock Hudson in GIANT
 Sir Laurence Olivier in RICHARD III

Actress
 Carroll Baker in BABY DOLL
 Ingrid Bergman in ANASTASIA
 Katharine Hepburn in THE RAINMAKER
 Nancy Kelly in THE BAD SEED
 Deborah Kerr in THE KING AND I

Supporting Actor
 Don Murray in BUS STOP
 Anthony Perkins in FRIENDLY PERSUASION
 Anthony Quinn in LUST FOR LIFE
 Mickey Rooney in THE BOLD AND THE BRAVE
 Robert Stack in WRITTEN ON THE WIND

Supporting Actress
 Mildred Dunnock in BABY DOLL
 Eileen Heckart in THE BAD SEED
 Mercedes McCambridge in GIANT
 Patty McCormack in THE BAD SEED
 Dorothy Malone in WRITTEN ON THE WIND

Director
 Michael Anderson for AROUND THE WORLD IN EIGHTY DAYS
 Walter Lang for THE KING AND I
 George Stevens for GIANT
 King Vidor for WAR AND PEACE
 William Wyler for FRIENDLY PERSUASION

Writing: Motion Picture Story
 Dalton Trumbo - THE BRAVE ONE (Dalton Trumbo used the name "Robert Rich" in this film's credits.)
 Leo Katcher - THE EDDY DUCHIN STORY
 Edward Bernds & Elwood Ullman HIGH SOCIETY Withdrew from final ballot due to being mistakenly placed in the running for their 1956 Bowery Boys film HIGH SOCIETY.
 Jean Paul Sartre - THE PROUD AND THE BEAUTIFUL
 Cesare Zavattini - UMBERTO D.

Writing: Screenplay -- Original
 Robert Lewin - THE BOLD AND THE BRAVE
 Andrew L. Stone - JULIE
 Federico Fellini & Tullio Pinelli - LA STRADA
 William Rose - THE LADYKILLERS
 Albert Lamorisse - THE RED BALLOON

Writing: Screenplay -- Adapted
 James Poe, John V. Farrow & S. J. Perelman - AROUND THE WORLD IN EIGHTY DAYS
 Tennessee Williams - BABY DOLL
 Fred Guiol & Ivan Moffat - GIANT
 Norman Corwin - LUST FOR LIFE
 Michael Wilson - FRIENDLY PERSUASION (Nomination was declared eligible, but writer's name was ineligible under Academy by-laws. Wilson was blacklisted since pleading the Fifth before the House Un-American Activities Commitee in 1952. This by-law was repealed by the Academy in 1959.)

Foreign Language Film
Prior to 1956 an Honorary Award voted by Board of Governors.
 DER HAUPTMANN VON KÖPENICK (THE CAPTAIN OF KOPENICK, West Germany)
 GERVAISE (France)
 BIRUMA NO TATEGOTO (THE BURMESE HARP, a.k.a. THE HARP OF BURMA, Japan)
 LA STRADA (THE ROAD, Italy)
 QIVITOQ - FJELDGÆGEREN (QIVITOQ, Denmark)

Art Direction/Set Decoration (Color)
 James W. Sullivan & Ken Adam - Art Direction, Ross J. Dowd - Set Decoration AROUND THE WORLD IN EIGHTY DAYS
 Boris Leven - Art Direction, Ralph S. Hurst - Set Decoration GIANT
 Lyle Wheeler & John De Cuir - Art Direction, Walter M. Scott & Paul S. Fox - Set Decoration THE KING AND I
 Cedric Gibbons, Hans Peters & Preston Ames - Art Direction, Edwin B. Willis & Keogh Gleason - Set Decoration LUST FOR LIFE
 Hal Pereira, Walter H. Tyler & Albert Nozaki - Art Direction, Sam M. Comer & Ray Moyer - Set Decoration THE TEN COMMANDMENTS

Art Direction/Set Decoration (Black and White)
 Takashi Matsuyama - Art Direction THE SEVEN SAMURAI
 Hal Pereira & A. Earl Hedrick - Art Direction, Sam M. Comer & Frank R. McKelvy - Set Decoration THE PROUD AND THE PROFANE
 Ross Bellah - Art Direction, William R. Kiernan & Louis Diage - Set Decoration THE SOLID GOLD CADILLAC
 Cedric Gibbons & Malcolm Brown - Art Direction, Edwin B. Willis & Keogh Gleason - Set Decoration SOMEBODY UP THERE LIKES ME
 Lyle Wheeler & Jack Martin Smith - Art Direction, Walter M. Scott & Stuart A. Reiss - Set Decoration TEENAGE REBEL

Cinematography (Color)
 Lionel Lindon - AROUND THE WORLD IN EIGHTY DAYS
 Harry Stradling - THE EDDY DUCHIN STORY
 Leon Shamroy - THE KING AND I
 Loyal Griggs THE TEN COMMANDMENTS
 Jack Cardiff - WAR AND PEACE

Cinematography (Black and White)
 Boris Kaufman - BABY DOLL
 Hal Rosson - THE BAD SEED
 Burnett Guffey - THE HARDER THEY FALL
 Joseph Ruttenberg - SOMEBODY UP THERE LIKES ME
 Walter Strenge - STAGECOACH TO FURY

Costume Design (Color)
 Miles White - AROUND THE WORLD IN EIGHTY DAYS
 Moss Mabry & Marjorie Best - GIANT
 Irene Sharaff - THE KING AND I
 Edith Head, Ralph Jester, John Jensen, Dorothy Jeakins & Arnold Friberg - THE TEN COMMANDMENTS
 Maria De Matteis - WAR AND PEACE

Costume Design (Black and White)
 Kohei Ezaki - THE SEVEN SAMURAI
 Helen Rose - THE POWER AND THE PRIZE
 Edith Head - THE PROUD AND THE PROFANE
 Jean Louis - THE SOLID GOLD CADILLAC
 Charles LeMaire & Mary Wills - TEENAGE REBEL

Documentary (Features)
 Louis Clyde Stoumen - Producer THE NAKED EYE
 Jacques-Yves Cousteau - Producer THE SILENT WORLD
 HVOR BJERGENE SEJLER (WHERE MOUNTAINS FLOAT; the Government Film Committee of Denmark - Producer)

Documentary (Short Subjects)
 A CITY DECIDES
 John Healy - Producer THE DARK WAVE
 Valentine Davies - Producer THE HOUSE WITHOUT A NAME
 Ward Kimball - Producer MAN IN SPACE
 Louis Clyde Stoumen - Producer THE TRUE STORY OF THE CIVIL WAR

Film Editing
 Gene Ruggiero & Paul Weatherwax - AROUND THE WORLD IN EIGHTY DAYS
 Merrill G. White - THE BRAVE ONE
 William Hornbeck, Philip W. Anderson & Fred Bohanan - GIANT
 Albert Akst - SOMEBODY UP THERE LIKES ME
 Anne Bauchens - THE TEN COMMANDMENTS

Music: Scoring of a Dramatic or Comedy Picture
 Alfred Newman - ANASTASIA
 Victor Young - AROUND THE WORLD IN EIGHTY DAYS
 Hugo Friedhofer - BETWEEN HEAVEN AND HELL
 Dimitri Tiomkin - GIANT
 Alex North - THE RAINMAKER

Music: Scoring of a Musical Picture
 Lionel Newman - THE BEST THINGS IN LIFE ARE FREE
 Morris Stoloff & George Duning - THE EDDY DUCHIN STORY
 Johnny Green & Saul Chaplin - HIGH SOCIETY
 Alfred Newman & Ken Darby - THE KING AND I
 George Stoll & Johnny Green - MEET ME IN LAS VEGAS

Music: Song
 Dimitri Tiomkin - Music, Paul Francis Webster - Lyrics FRIENDLY PERSUASION "Friendly Persuasion (Thee I Love)"
 Cole Porter - Music & Lyrics HIGH SOCIETY "True Love"
 Leith Stevens - Music, Tom Adair - Lyrics JULIE "Julie"
 Jay Livingston & Ray Evans - Music & Lyrics THE MAN WHO KNEW TOO MUCH "Whatever Will Be, Will Be (Que Será, Será)"
 Victor Young - Music, Sammy Cahn - Lyrics WRITTEN ON THE WIND "Written on the Wind"

Short Subjects (Cartoons)
 Stephen Bosustow - Producer GERALD MCBOING BOING ON PLANET MOO
 Stephen Bosustow - Producer THE JAYWALKER
 Stephen Bosustow - Producer MISTER MAGOO'S PUDDLE JUMPER

Short Subjects (One-reel)
 Konstantin Kaiser - Producer CRASHING THE WATER BARRIER
 Robert Youngson - Producer I NEVER FORGET A FACE
 Cedric Francis - Producer TIME STOOD STILL

Short Subjects (Two-reel)
 George K. Arthur - Producer THE BESPOKE OVERCOAT
 Larry Lansburgh - Producer COW DOG
 John Healy - Producer THE DARK WAVE
 Walt Disney - Producer SAMOA

Sound Recording
 John Myers - Sound Director THE BRAVE ONE
 John P. Livadary (Columbia Studio Sound Department) THE EDDY DUCHIN STORY
 Gordon R. Glennan (Westrex Sound Services Inc.) & Gordon E. Sawyer (Samuel Goldwyn Studio Sound Department) FRIENDLY PERSUASION
 Carl W. Faulkner (20th Century-Fox Studio Sound Department) THE KING AND I
 Loren L. Ryder (Paramount Studio Sound Department) THE TEN COMMANDMENTS

Special Effects
 A. Arnold Gillespie, Irving G. Ries & Wesley C. Miller - FORBIDDEN PLANET
 John P. Fulton - THE TEN COMMANDMENTS

Scientific Or Technical
Class I (Statuette):
No award given for 1956.
Class II (Plaque):
No award given for 1956.
Class III (Citation):
 Richard Ranger (Rangertone Inc.) - For the development of a synchronous recording and reproducing system for quarter-inch magnetic tape.
 Ted Hirsch, Carl Hauge & Edward Reichard (Consolidated Film Industries) - For an automatic scene counter for laboratory projection rooms.
 Technical Departments of Paramount Pictures Corporation - For the engineering and development of the Paramount light-weight horizontal-movement VistaVision camera.
 Roy C. Stewart (Stewart-Trans Lux Coporation),Dr. C. R. Daily (Transparency Department of Paramount Pictures Corporation) - For the engineering and development of the HiTrans and Para-HiTrans rear projection screen.
 Construction Department of Metro-Goldwyn-Mayer Studio - For a new hand-portable fog machine.
 Daniel J. Bloomberg, John Pond & William Wade (Engineering and Camera Departments of Republic Studio) - For the Naturama adaptation to the Mitchell camera.

Honorary and Other Awards
 Eddie Cantor - For distinguished service to the film industry. Winner presented a Statuette.

Irving G. Thalberg Memorial Award
 Buddy Adler

Jean Hersholt Humanitarian Award
 Y. Frank Freeman

FIRSTS
· Every Best Picture nominee is in color.
· James Dean is the only actor to be nominated posthumously twice.
· Best Original Screenplay winner, The Red Balloon, doesn't have a single line of dialogue.
· Anthony Quinn wins a Supporting Award for the shortest nominated performance up to that time -- 9 minutes.
· Don Murray nominated for his film debut; Eileen Heckart in first year in movies.
· After 22 nominations, Victor Young, composer of Around the World in 80 Days, finally wins an Oscar®, posthumously.
· UFA sweeps all three Best Cartoon nominations.
· Around the World in Eighty Days sets record for the longest title for a Best Picture winner, a record it would not share until 1975.

ROLE REVERSALS
· Around the World in 80 Days began with John Farrow as director. He was fired the very first day of shooting because Mike Todd thought he took too long to set up the cameras.
· The cameo role of the manservant that Phileas Fogg discharges at the beginning of the ATWIED was originally offered to Laurence Olivier, who turned it down. It was played in the film by John Gielgud.

RULE CHANGES
· No one may be nominated for an Oscar® if he had admitted Communist Party membership and has not renounced that membership, if he has refused to testify before a Congressional Committee or if he has refused to respond to a subpoena from such committee.
· Jean Hersholt Humanitarian Award instituted to honor charitable endeavors.
· Foreign Language Film becomes a regular category.
· "Story and Screenplay" now "Screenplay -- Original"; "Screenplay" becomes "Screenplay -- Adapted."

ALWAYS A BRIDESMAID...
· Lust for Life was Kirk Douglas's third unsuccessful Oscar® bid.
· Best Picture winner Around the World in 80 Days didn't receive a single acting nomination.

SINS OF OMISSION
Picture: The Searchers, Baby Doll, The Man Who Knew Too Much
Director: Alfred Hitchcock - The Wrong Man, The Man Who Knew Too Much, John Ford - The Searchers
Actor: John Wayne - The Searchers
Actress: Marilyn Monroe - Bus Stop
Song: "Love Me Tender," "The Girl Can't Help It"

UNMENTIONABLES
· Around the World in 80 Days is generally considered the largest film project ever undertaken in Hollywood. Filming was completed in 75 days. It used 140 sets built at 6 Hollywood studios, as well as in England, Hong Kong and Japan. 74,685 costumes were designed, made or rented for use in the film, and 68,894 extras were used while shooting in 13 countries.
· Producer Mike Todd dubbed the appearance of stars in bit parts "cameos."
· Deborah Kerr's singing in The King and I was dubbed by Marni Nixon.
· An irate Charlton Heston demanded the Academy ban big stars from Best Supporting nominations, claiming, "That's not the purpose of that category." He was ignored.
· In a year of blockbuster films, the hottest ticket was for December's Hollywood premiere of Anastasia, which marked the return of Ingrid Bergman to the American screen after a 7-½ year absence.
· Mike Todd offered to pay for the Awards telecast in order to spare everyone from the tiresome Oldsmobile commercials, but the Academy had already inked a deal with the car maker.
· This year, it was Maureen O'Hara who was shanghaied by Ralph Edwards's "This Is Your Life" TV crew in front of the Pantages.
· Honorary Award winner Eddie Cantor passed out in the lobby on the way into the theatre. A quick thinker administered a shot of whiskey and Cantor was back on his feet as if nothing had happened.
· As Anthony Quinn accepted his Award as Best Supporting Actor, Mickey Rooney turned to fellow nominee Robert Stack in the row behind him and said, "We wuz robbed."
· In the pressroom, Buddy Adler held up his Thalberg Award and discovered it was made of plaster -- the Academy hadn't found a bronze one in time for the ceremony.
· This was the last Academy Awards ceremony that Louis B. Mayer would attend. The man who had dreamed up the organization in the first place had to make several phone calls before he could locate a pair of tickets. When the deposed head of MGM died later in 1957, his funeral was SRO, inspiring Billy Wilder to crack, "It just goes to show, give the public what it wants and they'll show up."
· The Hollywood community was abuzz when it was revealed that Robert Rich, winner of the Best Motion Picture Story Award for The Brave One, didn't really exist. The Academy had been tricked. After all the effort to keep the blacklisted Michael Wilson out of the running, who should win an Oscar® under a pseudonym but Dalton Trumbo, one of the original Hollywood Ten.


And, of course, here's the place where I have to put the disclaimer: This page was created for my own personal use and was intended for educational and entertainment purposes only. "Oscar" and "Academy Awards" are registered trademarks of the Academy of Motion Picture Arts and Sciences. The "Oscar" Statuette is copyrighted by the Academy of Motion Picture Arts and Sciences. These pages are neither authorized nor endorsed by the Academy of Motion Picture Arts and Sciences. I cannot take responsibility for any errors or omissions on these pages; i.e., if you lose a bet because of something I missed, don't expect me to pay it off!

Sidebar highlights come from several sources, most notably The Academy Awards® - The Complete Unofficial History, by Gail Kinn & Jim Piazza, and Inside Oscar® - The Unofficial History of the Academy Awards®, by Mason Wiley & Damien Bona.

This page is authored by Gary Moody. If you have comments or questions about the page, please e-mail me at gary@theoscarsite.com.