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Best Motion Picture Prior to the Awards for 1951, no producer(s) named with nominations
ANCHORS AWEIGH - MGM. [Produced by Joe Pasternak]
THE BELLS OF ST. MARY'S - Rainbow, RKO Radio. [Produced by Leo McCarey]
THE LOST WEEKEND (Won 4 Awards) - Paramount. [Produced by Charles Brackett]
MILDRED PIERCE - Warner Bros. [Produced by Jerry Wald]
SPELLBOUND - Selznick International, UA. [Produced by David O. Selznick]
Actor
Bing Crosby in THE BELLS OF ST. MARY'S
Gene Kelly in ANCHORS AWEIGH
Ray Milland in THE LOST WEEKEND
Gregory Peck in THE KEYS OF THE KINGDOM
Cornel Wilde in A SONG TO REMEMBER
Actress
Ingrid Bergman in THE BELLS OF ST. MARY'S
Joan Crawford in MILDRED PIERCE
Greer Garson in THE VALLEY OF DECISION
Jennifer Jones in LOVE LETTERS
Gene Tierney in LEAVE HER TO HEAVEN
Supporting Actor
Michael Chekhov in SPELLBOUND
John Dall in THE CORN IS GREEN
James Dunn in A TREE GROWS IN BROOKLYN
Robert Mitchum in THE STORY OF G.I. JOE
J. Carrol Naish in A MEDAL FOR BENNY
Supporting Actress
Eve Arden in MILDRED PIERCE
Ann Blyth in MILDRED PIERCE
Joan Lorring in THE CORN IS GREEN
Anne Revere in NATIONAL VELVET
Angela Lansbury in THE PICTURE OF DORIAN GRAY
Director
Clarence Brown for NATIONAL VELVET
Alfred Hitchcock for SPELLBOUND
Leo McCarey for THE BELLS OF ST. MARY'S
Jean Renoir for THE SOUTHERNER
Billy Wilder for THE LOST WEEKEND
Writing: Screenplay
Leopold Atlas, Guy Endore & Philip Stevenson - THE STORY OF G.I. JOE
Charles Brackett & Billy Wilder - THE LOST WEEKEND
Ranald MacDougall - MILDRED PIERCE
Albert Maltz - PRIDE OF THE MARINES
Frank Davis & Tess Slesinger - A TREE GROWS IN BROOKLYN
Writing: Original Story
Charles G. Booth - THE HOUSE ON 92ND ST.
Laszlo Gorog & Thomas Monroe - THE AFFAIRS OF SUSAN
John Steinbeck & Jack Wagner - A MEDAL FOR BENNY
Philip Yordan - DILLINGER
Alvah Bessie - OBJECTIVE, BURMA!
Ernst Marischka - A SONG TO REMEMBER
Writing: Original Screenplay
Richard Schweizer - MARIE-LOUISE
Myles Connolly - MUSIC FOR MILLIONS
Milton Holmes - SALTY O'ROURKE
Harry Kurnitz - WHAT NEXT, CORPORAL HARGROVE?
Interior Decoration (Color)
Hans Dreier & Ernst Fegte - Art Direction, Sam Comer - Interior Decoration FRENCHMAN'S CREEK
Lyle Wheeler & Maurice Ransford - Art Direction, Thomas Little - Interior Decoration LEAVE HER TO HEAVEN
Cedric Gibbons & Urie McCleary - Art Direction, Edwin B. Willis & Mildred Griffiths - Interior Decoration NATIONAL VELVET
Ted Smith - Art Direction, Jack McConaghy - Interior Decoration SAN ANTONIO
Stephen Goosson & Rudolph Sternad - Art Direction, Frank Tuttle - Interior Decoration A THOUSAND AND ONE NIGHTS
Interior Decoration (Black and White)
Wiard Ihnen - Art Direction, A. Roland Fields - Interior Decoration BLOOD ON THE SUN
Albert S. D'Agostino & Jack Okey - Art Direction, Darrell Silvera & Claude Carpenter - Interior Decoration EXPERIMENT PERILOUS
James Basevi & William Darling - Art Direction, Thomas Little & Frank E. Hughes - Interior Decoration THE KEYS OF THE KINGDOM
Hans Dreier & Roland Anderson - Art Direction, Sam Comer & Ray Moyer - Interior Decoration LOVE LETTERS
Cedric Gibbons & Hans Peters - Art Direction, Edwin B. Willis, John Bonar & Hugh Hunt - Interior Decoration THE PICTURE OF DORIAN GRAY
Cinematography (Color)
Robert Planck & Charles Boyle - ANCHORS AWEIGH
Leon Shamroy - LEAVE HER TO HEAVEN
Leonard Smith - NATIONAL VELVET
Tony Gaudio & Allen M. Davey - A SONG TO REMEMBER
George Barnes - THE SPANISH MAIN
Cinematography (Black and White)
Arthur C. Miller - THE KEYS OF THE KINGDOM
Ernest Haller - MILDRED PIERCE
Harry Stradling - THE PICTURE OF DORIAN GRAY
George Barnes - SPELLBOUND
John F. Seitz - THE LOST WEEKEND
Documentary (Features)
THE LAST BOMB
THE TRUE GLORY
Documentary (Short Subjects)
HITLER LIVES?
LIBRARY OF CONGRESS
TO THE SHORES OF IWO JIMA
Film Editing
Harry Marker - THE BELLS OF ST. MARY'S
Doane Harrison - THE LOST WEEKEND
Robert J. Kern - NATIONAL VELVET
George Amy - OBJECTIVE, BURMA!
Charles Nelson - A SONG TO REMEMBER
Music: Scoring of a Dramatic or Comedy Picture
Robert Emmett Dolan - THE BELLS OF ST. MARY'S
Lou Forbes - BREWSTER'S MILLIONS
Werner Janssen - CAPTAIN KIDD
Roy Webb - THE ENCHANTED COTTAGE
Dale Butts & Morton Scott - FLAME OF BARBARY COAST
Edward J. Kay - G. I. HONEYMOON
Louis Applebaum & Ann Ronell - THE STORY OF G. I. JOE
Werner Janssen - GUEST IN THE HOUSE
Daniele Amfitheatrof - GUEST WIFE
Alfred Newman - THE KEYS OF THE KINGDOM
Miklos Rozsa - THE LOST WEEKEND
Victor Young - LOVE LETTERS
Karl Hajos - THE MAN WHO WALKED ALONE
Franz Waxman - OBJECTIVE, BURMA!
Alexander Tansman - PARIS -- UNDERGROUND
Miklos Rozsa & Morris Stoloff - A SONG TO REMEMBER
Werner Janssen - THE SOUTHERNER
Miklos Rozsa - SPELLBOUND
Hans J. Salter - THIS LOVE OF OURS
Herbert Stothart - THE VALLEY OF DECISION
Hugo Friedhofer & Arthur Lange - THE WOMAN IN THE WINDOW
Music: Scoring of a Musical Picture
Georgie Stoll - ANCHORS AWEIGH
Arthur Lange - BELLE OF THE YUKON
Jerome Kern & Hans J. Salter - CAN'T HELP SINGING
Morton Scott - HITCHHIKE TO HAPPINESS
Robert Emmett Dolan - INCENDIARY BLONDE
Ray Heindorf & Max Steiner - RHAPSODY IN BLUE
Charles Henderson & Alfred Newman - STATE FAIR
Edward J. Kay - SUNBONNET SUE
Edward Plumb, Paul J. Smith & Charles Wolcott - THE THREE CABALLEROS
Marlin Skiles & Morris Stoloff - TONIGHT AND EVERY NIGHT
Walter Greene - WHY GIRLS LEAVE HOME
Lou Forbes & Ray Heindorf - WONDER MAN
Music: Song
Harold Arlen - Music, Johnny Mercer - Lyrics HERE COME THE WAVES "Accentuate the Positive"
Jule Styne - Music, Sammy Cahn - Lyrics TONIGHT AND EVERY NIGHT "Anywhere"
Jimmy Van Heusen - Music, Johnny Burke - Lyrics THE BELLS OF ST. MARY'S "Aren't You Glad You're You"
Jay Livingston - Music, Ray Evans - Lyrics WHY GIRLS LEAVE HOME "The Cat and the Canary"
Walter Kent - Music, Kim Gannon - Lyrics EARL CARROLL VANITIES "Endlessly"
Allie Wrubel - Music, Herb Magidson - Lyrics SING YOUR WAY HOME "I'll Buy That Dream"
Jule Styne - Music, Sammy Cahn - Lyrics ANCHORS AWEIGH "I Fall in Love Too Easily"
Richard Rodgers - Music, Oscar Hammerstein II - Lyrics STATE FAIR "It Might As Well Be Spring"
Ann Ronell - Music & Lyrics THE STORY OF G. I. JOE "Linda"
Victor Young - Music, Edward Heyman - Lyrics LOVE LETTERS "Love Letters"
Jerome Kern - Music, E. Y. Harburg - Lyrics CAN'T HELP SINGING "More and More"
Jimmy Van Heusen - Music, Johnny Burke - Lyrics BELLE OF THE YUKON "Sleighride in July"
David Rose - Music, Leo Robin - Lyrics WONDER MAN "So in Love"
Ray Heindorf & M. K. Jerome - Music, Ted Koehler - Lyrics SAN ANTONIO "Some Sunday Morning"
Short Subjects (Cartoons)
Walt Disney - Producer DONALD'S CRIME
George Pal - Producer JASPER AND THE BEANSTALK
Eddie Selzer - Producer LIFE WITH FEATHERS
Paul Terry - Producer MIGHTY MOUSE IN GYPSY LIFE
Walter Lantz - Producer POET AND PEASANT (Color Rhapsodies)
Frederick Quimby - Producer QUIET PLEASE
RIPPLING ROMANCE
Short Subjects (One-reel)
Edmund Reek - Producer ALONG THE RAINBOW TRAIL
Ralph Staub - Producer SCREEN SNAPSHOTS 25TH ANNIVERSARY
Herbert Moulton - Producer STAIRWAY TO LIGHT
Gordon Hollingshead - Producer STORY OF A DOG
Grantland Rice - Producer WHITE RHAPSODY
Joseph O'Brien & Thomas Mead - Producers YOUR NATIONAL GALLERY
Short Subjects (Two-reel)
Chester Franklin - Producer A GUN IN HIS HAND
Jules White - Producer THE JURY GOES ROUND 'N' ROUND
George Templeton - Producer THE LITTLE WITCH
Gordon Hollingshead - Producer STAR IN THE NIGHT (Broadway Brevities)
Sound Recording
Stephen Dunn - THE BELLS OF ST. MARY'S
Daniel J. Bloomberg - FLAME OF BARBARY COAST
Bernard B. Brown - LADY ON A TRAIN
Thomas T. Moulton - LEAVE HER TO HEAVEN
Nathan Levinson - RHAPSODY IN BLUE
John Livadary - A SONG TO REMEMBER
Jack Whitney - General Service THE SOUTHERNER
Douglas Shearer - THEY WERE EXPENDABLE
C. O. Slyfield - THE THREE CABALLEROS
W. V. Wolfe - RCA Sound THREE IS A FAMILY
Loren L. Ryder THE UNSEEN
Gordon Sawyer - WONDER MAN
Special Effects
Fred Sersen & Sol Halprin (Photographic), Roger Heman & Harry Leonard (Sound) CAPTAIN EDDIE
Jack Cosgrove (Photographic), No Credit Listed (Sound) SPELLBOUND
A. Arnold Gillespie, Donald Jahraus & R. A. MacDonald (Photographic), Michael Steinore (Sound) THEY WERE EXPENDABLE
Lawrence W. Butler (Photographic), Ray Bomba (Sound) A THOUSAND AND ONE NIGHTS
John Fulton (Photographic), A. W. Johns (Sound) WONDER MAN
Scientific Or Technical
Class I (Statuette)
No award given for 1945.
Class II (Plaque)
No award given for 1945.
Class III (Citation)
Loren L. Ryder & Charles R. Daily (Paramount Studio Sound Department) - For the design, construction and use of the first dial controlled step-by-step sound channel line-up and test circuit.
Michael S. Leshing, Benjamin C. Robinson, Arthur B. Chatelain &
Robert C. Stevens (20th Century-Fox Studio), John G. Capstaff (Eastman Kodak Company) - For the 20th Century-Fox film processing machine.
Special Awards
To Walter Wanger - For his six years service as President of the Academy of Motion Picture Arts and Sciences. Winner presented a Special Plaque.
To Peggy Ann Garner: Outstanding child actress of 1945. Winner presented a Miniature Statuette.
To Daniel J. Bloomberg (Republic Sound Department) - For the building of an outstanding musical scoring auditorium which provides optimum recording conditions and combines all elements of acoustic and engineering design. Winners presented Certificates.
To THE HOUSE I LIVE IN Tolerance short subject:
Frank Ross - Producer
Mervyn LeRoy - Producer
Albert Maltz - Screenplay
Earl Robinson - Music
Lewis Allen - Lyrics
Frank Sinatra - Cast
Winners presented Statuettes.
Irving G. Thalberg Memorial Award
No award given for 1945.
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| FIRSTS
· Bing Crosby was the first actor to be nominated twice for playing the same character.
· Selections of nominated songs were performed at the ceremony for the first time.
· Plaster casts were restored to bronze and gold plate.
ROLE REVERSALS
· Paramount overruled Billy Wilder's choice for The Lost Weekend, José Ferrer.
· Bette Davis or Barbara Stanwyck as Mildred Pierce? They were director Michael Curtiz's first and second choices.
SINS OF OMISSION
Picture: To Have and Have Not, Leave Her to Heaven, They Were Expendable
Actor: Humphrey Bogart - To Have and Have Not
Actress: Ingrid Bergman - Spellbound
Supporting Actor: Edward G. Robinson - To Have and Have Not
Supporting Actress: Lauren Bacall - To Have and Have Not
Song: "How Little We Know," "It's a Grand Night for Singing," "The More I See You"
ALWAYS A BRIDESMAID...
· Aside from his unsuccessful nomination for The Story of G.I. Joe, Robert Mitchum never got another shot at Oscar®.
· Perennial wisecracking favorite Eve Arden received her only Oscar® nomination for Mildred Pierce.
UNMENTIONABLES
· Writer-director Billy Wilder was supposed to be on vacation when he bought 4 novels to read on the long train trip from Hollywood to New York -- one of them a bestseller about a NY alcoholic, entitled The Lost Weekend. After Wilder read it, he started it all over again, taking notes on how he was going to adapt it as his next movie. By the time the train pulled into Grand Central Station, Wilder had an outline and he called his erstwhile collaborator, Charles Brackett, in LA -- it was 6 a.m. there -- and asked him if he'd like to write with him again. Brackett consented immediately and was particularly drawn to the material -- Mrs. Brackett was an alcoholic who rarely left the house.
· Joan Crawford's ex-husband #3, Phillip Terry, played Ray Milland's brother in The Lost Weekend.
· Michael Curtiz, Warner Bros.' star director, didn't want to work with Crawford on Mildred Pierce. "She comes over here with her high-hat airs and her goddamn shoulder pads," the director complained. "Why should I waste my time directing a has-been?"
· Crawford got rid of the shoulder pads and condescended to make a screen test for Curtiz. She got the part.
· At the wrap party, Curtiz silenced the revelers and said, "When I agreed to direct Miss Crawford, I felt she was going to be stubborn as a mule and I made up my mind to be plenty hard on her. Now that I have learned how sweet she is and how professional and talented she is, I take back even thinking those things about her." After the applause, Crawford gave Curtiz a gift -- a specially designed pair of Adrian shoulder pads.
· Humorist Fred Allen wrote to Best Director nominee Alfred Hitchcock that he thought Academy Award winners should be given statuettes in their own likenesses, adding, "Should you win, think how much more distinctive it would be for you to receive a balloon-shaped statuette rather than the skinny model."
· Conspicuously absent from the Awards ceremony was Best Actress nominee Joan Crawford. She had run up a temperature of 104°, and her physician pronounced her too ill to attend. However, the studio sent photographers to her home to wait, just in case she won. Also standing by were her hairdresser and makeup man.
· Ann Blyth showed up at Grauman's in a body cast; she'd recently broken her spine. The other Mildred Pierce nominee, Eve Arden, managed to make it one piece.
· The Awards ceremony was broken into two parts: Before the broadcast portion, Jimmy Stewart hosted the presentation of the first Awards. Then Bob Hope hosted the major Awards, which was broadcast on the radio.
· Daily Variety reported, "There was an explosion of applause in the house," when Charles Boyer announced Joan Crawford's name as Best Actress. According to Crawford's daughter Christina, Joan's "health seemed to improve dramatically," and she got out of bed and prettied herself for the expected onslaught of well-wishers. Her director, Michael Curtiz, accepted her Award at Grauman's Chinese. "Miss Crawford is very, very ill," he explained. As Curtiz walked backstage, Ingrid Bergman ran to him, saying, "Oh, I'm so glad! I'm so glad!"
· Upon arriving at the Writers' Building on the Paramount lot the following day, The Lost Weekend's Billy Wilder and Charles Brackett found that the other occupants of the building had prepared a congratulatory greeting -- dozens of liquor bottles were hanging from every window.
· Riding with his wife in a limousine en route to the post-ceremony celebration, Ray Milland directed the chauffeur to drive to the bridle path on Sunset Blvd. overlooking Hollywood. An MGM talent scout had brought the actor to this spot when he first arrived in Hollywood in 1930 and told him, "It all belongs to Ramon Novarro. He is the reigning romantic star at the moment, so tonight it belongs to him." Milland stood there with his Oscar®, taking in the view of twinkling lights, and finally said, "Mr. Novarro, tonight they belong to me!"
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