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Welcome to theOscarSite's yearly Oscars® pages
This page covers the Awards for 1937. If you wish, read my disclaimer.
Click here for information on the Awards Ceremony for this year's nominees.
Use this link to go to my listing of every film and every person ever nominated for an Award!
Use this link to see every film nominated for an Award this year and how it ranks in nominations and Awards!
"Nobody wins two years in a row." -- Paul Muni
Or use this link to view a larger version of the film.
Outstanding ProductionPrior to the Awards for 1951, no producer(s) named with nominations
Scientific Or Technical Class I (Statuette): Agfa Ansco Corporation - For Agfa Supreme and Agfa Ultra Speed pan motion picture negatives.
Class II (Plaque): Walt Disney Productions Ltd. - For the design and application to production of the Multi-Plane Camera.
Eastman Kodak Company - For two fine-grain duplicating film stocks.
Farciot Edouart (Paramount Pictures Inc.) - For the development of the Paramount dual screen transparency camera setup.
Douglas Shearer (MGM Studio Sound Department) - For a method of varying the scanning width of variable density sound tracks (squeeze tracks) for the purpose of obtaining an increased amount of noise reduction.
Class III (Citation): John Arnold (MGM Studio Camera Department) - For their improvement of the semi-automatic follow focus device and its application to all of the cameras used by the Metro-Goldwyn-Mayer Studio.
John Livadary (Columbia Pictures Corporation), Director of Sound Recording - For the application of the bi-planar light valve to motion picture sound recording.
Thomas T. Moulton (United Artists Studio Sound Department) - For the application to motion picture sound recording of volume indicators which have peak reading response and linear decibel scales.
RCA Manufacturing Company Inc. - For the introduction of the modulated high-frequency method of determining optimum photographic processing conditions for variable width sound tracks.
Douglas Shearer (MGM Studio Sound Department) - For the design of the film drive mechanism as incorporated in the ERPI 1010 reproducer.
Joseph E. Robbins (Paramount Pictures Inc.) - For an exceptional application of acoustic principles to the sound proofing of gasoline generators and water pumps.
Special Awards Mack Sennett - For his lasting contribution to the comedy technique of the screen, the basic principles of which are as important today as when they were first put into practice, the Academy presents a Special Award to that master of fun, discoverer of stars, sympathetic, kindly, understanding comedy genius. Winner presented a Statuette.
Edgar Bergen - For his outstanding comedy creation, Charlie McCarthy. Winner presented a Wooden Statuette.
Museum of Modern Art Film Library - For its significant work in collecting films dating from 1895 to the present and for the first time making available to the public the means of studying the historical and aesthetic development of the motion picture as one of the major arts. Winner presented a Scroll Certificate.
W. Howard GreeneA STAR IS BORN - For the color photography of A STAR IS BORN. (This Award was recommended by a committee of leading cinematographers after viewing all the color pictures made during the year.) Winner presented a Plaque.
FIRSTS · Luise Rainer was the first performer to win consecutive Oscars®. She would be followed by only four other such winners: Spencer Tracy (1937, 1938), Katharine Hepburn (1967, 1968), and Tom Hanks (1993, 1994). In the Best Supporting category, only Jason Robards Jr. pulled it off for 1976 and 1977.
· The year's biggest blockbuster, The Hurricane, co-starred Dorothy Lamour, who introduced the sarong to popular culture.
· The list of winners was kept completely secret, even from the Academy officials.
RULE CHANGES · All members of Actors, Directors and Writers Guilds nominate and vote. Extras vote on final ballot.
· Only Academy branch members nominated and voted Awards for Interior Decoration, Cinematography, Sound Recording and Film Editing.
· Every studio guaranteed a nomination for Interior Decoration, Sound Recording and Score simply by submitting an entry.
· Voting on Score Award restricted to working members.
· Directors again eligible for Writing Awards.
· Irving G. Thalberg Memorial Award added.
SINS OF OMISSION Picture: Camille, The Hurricane, Nothing Sacred, Stella Dallas, Shall We Dance, A Day at the Races Director: George Cukor - Camille Actor: Cary Grant - The Awful Truth Actress: Carole Lombard - Nothing Sacred, Katharine Hepburn - Stage Door, Ginger Rogers - Stage Door Song: "A Foggy Day," "They All Laughed," "I've Got My Love to Keep Me Warm," "In the Still of the Night," "Let's Call the Whole Thing Off," "Nice Work If You Can Get It," "September in the Rain," "Someday My Prince Will Come"
UNMENTIONABLES · Floods in Southern California stranded members in their homes, and the Awards banquet had to be postponed a week. $750 worth of flowers was donated to area hospitals. George Jessel, slated to emcee the ceremony, fell ill by the time the floodwaters receded, and was replaced by hillbilly comedian Bob "Bazooka" Burns.
· There was a loud gasp in the room when C. Aubrey Smith announced that the Best Actress winner was Luise Rainer. Frances Marion remembers, "The crowd at the dinner was amazed that Garbo lost to Rainer."
· Spencer Tracy was in the hospital recovering from an appendectomy. Louis B. Mayer accepted on his behalf. "It is a privilege to be the stand-in for Spencer Tracy," said Mayer at the podium. "Tracy is a fine actor, but he is most important because he understands why it is necessary to take orders from the front office." (When he heard Mayer's tribute later, Tracy asked, "Was that a compliment or a threat?")
· A mystery man accepted the Best Supporting Actress Oscar® on behalf of the bedridden Alice Brady and ran off with it. The thief was never discovered and her statuette was replaced 12 days after the Awards.
· When "Wild Bill" Wellman accepted his Oscar® for the Best Original Story for A Star Is Born, he held up the statuette and told David O. Selznick, "Here, David, you take it; you wrote more of it than I did."
· A new charter made it official: The Academy would not become involved in labor vs. management issues. Academy President Frank Capra got rid of the Academy's 50-man nominating committee and invited all guild members to vote, whether they were members of the Academy or not. Even extras got to vote on the final ballot for Best Picture, Best Acting and Best Song awards.
· When "Sweet Leilani" won Best Song over "They Can't Take That Away from Me," the buzz at the banquet was that the Gershwins were just too sophisticated for the new voters, the extras.
· When John Lee Mahin -- president of the Screen Playwrights, Inc., a group of writers who had splintered from the Screen Writers Guild, which Mahin believed evinced Communist leanings -- announced that he was refusing his Screenplay nomination, Capra wrote him: "In regard to the charge of unfair discrimination which your organization is belly-aching about, you know very well that you were given the same opportunity to participate in the Awards Committee as any other organization in Hollywood." Capra added that Mahin's nomination stood as a matter of record. "We don't care whether you accept it or throw it away or deposit it in that well-known place where everything is consigned in Hollywood."
· In a step toward reconciliation just prior to the ceremonies, Dudley Nichols accepted the Oscar® for The Informer's screenplay that he had turned down two years earlier.
· Self proclaimed "King of Comedy" Mack Sennett, creator of the Keystone Kops, was washed up and verging on bankruptcy by the time he received his Honorary Oscar® in 1938.
· At Louis B. Mayer's insistence, Greta Garbo reluctantly agreed to attend the Hollywood premiere of Camille. She wore pajamas under a fur coat. She waved to her fans, walked through the front door, and out the back without bothering to watch the film.
· Luise Rainer's marriage to playwright Clifford Odets ended after a shady therapist convinced Odets that sex would drain him of his creativity.
And, of course, here's the place where I have to put the disclaimer: This page was created for my own personal use and was intended for educational and entertainment purposes only. "Oscar" and "Academy Awards" are registered trademarks of the Academy of Motion Picture Arts and Sciences. The "Oscar" Statuette is copyrighted by the Academy of Motion Picture Arts and Sciences. These pages are neither authorized nor endorsed by the Academy of Motion Picture Arts and Sciences. I cannot take responsibility for any errors or omissions on these pages; i.e., if you lose a bet because of something I missed, don't expect me to pay it off!
Sidebar highlights come from several sources, most notably The Academy Awards® - The Complete Unofficial History, by Gail Kinn & Jim Piazza, and Inside Oscar® - The Unofficial History of the Academy Awards®, by Mason Wiley & Damien Bona.
This page is authored by Gary Moody. If you have comments or questions about the page, please e-mail me at gary@theOscarSite.com.